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Like so many young men from the rural outskirts of Brazil, 18-year-old Mateus (Christian Malheiros) has no choice but to head to São Paolo in search of work to support his strapped family. Chockablock with flashy performances (Zazie Beetz and Regina King are the standouts), dazzling costumes, and Old West sets recalling the greats of the genre, it’s also a treatise on race that refrains from browbeating us with its own import. Bloody squib packs have not been put to such magnificent use in some time, part of an overall aesthetic of merciless, fabulous violence in keeping with the ’70s revisionist vibe cultivated here.
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The plot is a boilerplate revenge saga, with Love (Jonathan Majors, a true movie star) hunting the hide of the varmint Buck (Idris Elba), who killed his ma and pa, but the exhilaration is all in Samuel’s neo-exploitation execution. The compact but uniformly kick-ass canon of Black Westerns gains a rootin’-tootin’ new entry courtesy of Jeymes Samuel in his feature debut, as he remixes the history of real-life figures like Nat Love, Rufus Buck, Stagecoach Mary, and Cherokee Bill into a mash-up of African American heroism and villainy on the frontier. Start planning the viewing for your family’s upcoming get-togethers with a digest of this month’s Netflix Original films. Not to mention Kelsey Grammer as Father Christmas (not that Father Christmas) and, uh, Red Notice. But that still leaves some highly respectable titles in the mix, such as Rebecca Hall’s well-reviewed directorial debut as well as your next true-crime obsession by way of Italy. The must-sees include a Western-blaxploitation pastiche with a rowdy revisionist bent and a harrowing yet captivating look at a new form of slave labor festering on the streets and in junkyards of São Paolo. Netflix is finishing the year strong and rolling out the big guns, judging by the stronger-than-average offerings added to the library this November. Kelsey Grammer in Father Christmas Is Back.